Hindi movie cinema of India has movies from corner to corner in India. Cinema has immense popularity in the country. Most generates watched hindi movie online . Every year 1800 movies are produced in different languages. Number of films made and number of tickets sold. Indian films have a wide reach across South Asia and are available in mainstream theaters across Asia, Europe, the Greater Middle East, North America, East Africa and elsewhere. Indian cinema is considered the largest film industry in the world and the number of films it produces is huge. Indian cinema and western cinema work with very different budgets. The term Bollywood has been misconstrued with Indian cinema. It refers to the Hindi language industry in the city of Mumbai. There are various regional film industries across the country each in a different language.
Hindi cinema is in many ways the history of song and dance. The evolution of Hindi cinema through its song and dance is most accurate. After the advent of sound, popular Hindi cinema, now known as Bollywood, has made song and dance important. In film narrative more broadly, cinema itself develops as a storytelling device. Nevertheless, critics criticized the indecent ways in which Hindi films incorporated song and dance. Hindi movies changed and evolved significantly. However, despite launching such a project, earlier scholarship approached song and dance as a field earlier, as a way to convey these themes and distinguish Hindi movies’ trajectory. Different disciplines approach song and dance from different perspectives. It may seem obvious to prioritize some elements and downplay others. The growing diversity of such disciplinary perspectives is part of the evolution of the field as an area of study.
Whereas ‘song and dance’ was previously articulated as a genre, now, with the advent of ethnographers and dance scholars, song and dance can be dissected and reconstructed in their varying details. Such a move allows the collection to chart new ways of writing and thinking about song and dance in Hindi cinema. In turn, how these elements define this cinema both contemporaneously and retrospectively. It’s a look at the underpinnings of the different discourses that underlie two of our time’s biggest and most popular film industries. The only common denominator in these two industries is that they are both very large and fast-growing and increasing in the sophistication of the films they produce. Although the Hindi movies industry has been accused of promoting a cultural agenda, Hindi movies can be said to be growing.
Not surprisingly, such a question and intervention comes precisely at a time when many scholars note the passing of song and dance through a westernized film logic bent on eliminating these hidden ‘irrationalities’ of Hindi. A Many scholars have recently argued that song and dance are already things of the past, once pointing to new iterations of cinema known as hindi movies. It defines itself by avoiding the more limiting aspects of this latter form. However, considering both the song and dance in this cinema, it may be premature to herald such a change. Several technological innovations are on display in relation to the many stripped-down elements under the general label of ‘song-dance’, and in the process the collection seeks to highlight and use hindi movies to rethink its song and dance and their theories.